Name : Chris Nashawaty / Alias : Entertainment Weekly
Boyle's mystery is both maddening in how much it withholds from the viewer trying to play along, and impressive for how little you end up caring about being kept in the dark.

Name : Michael O'Sullivan / Alias : Washington Post
If you can hang on for close to two hours with almost no resolution, it's worth the ride.

Name : Robert Abele / Alias : Los Angeles Times
Like any good purveyor of noir, Boyle, who wrote the film with Joel Clark and Michael Lerman, understands that identifying someone is only one endgame while the mystery of identity is naggingly, tragically endless.

Name : David Ehrlich / Alias : Time Out
A rare delight that's laced with melancholy and a suffocating sense of menace from its first scene straight through its shocking finale, Man From Reno is made special by the collisions between its characters.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Instead of building toward a climax, the film drifts off into nothingness, with a last scene that will send people shuffling out of the theater thinking, "Who cares?"

Name : Adam Nayman / Alias : AV Club
Man From Reno doesn't rush its revelations, instead inviting the viewer to revel in its atmosphere of cozy foreboding-the same kind you get from a good airport paperback.

Name : Stephen Holden / Alias : New York Times
"Man From Reno" fascinates. It invites you to go back, decipher its clues and discern a grand design, if there is one.

Name : Sheri Linden / Alias : Hollywood Reporter
Polished and ambitious, this crime drama puts a fresh bicultural spin on a retro-style mystery but doesn't quite sustain the suspense.

Name : Amy Nicholson / Alias : L.A. Weekly
The droll joke is that Asian double-crossers have it even easier than Vertigo's Kim Novak - Westerners don't even try to tell them apart.

Name : J. R. Jones / Alias : Chicago Reader
Writer-director Dave Boyle is best known for his offbeat rom-coms with San Francisco musician Goh Nakamura (Surrogate Valentine, Daylight Savings), and his gift for eccentric characters redeems this standard whodunit.

Name : Andrew Barker / Alias : Variety
Man From Reno is hardly the equal of its inspirations, but it nonetheless makes for a pleasantly mellow, well-structured concoction.

Name : Claudia Puig / Alias : USA Today
Lively's performance is appropriately mysterious but too shallow to allow audiences to empathize with her character. The fault lies more in the screenplay, which doesn't give her character much depth.

Name : Betsy Sharkey / Alias : Los Angeles Times
A sweeping romance beautifully wrapped in classy couture and slightly suspect in the way it uses metaphysics to manipulate matters of the heart.

Name : Inkoo Kang / Alias : TheWrap
Lively's never been better, but "Adaline" is more interested in what she's wearing than what her character's thinking.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
It fails to pursue any of the fascinating questions its premise raises. Instead, it dives headfirst into Nicholas Sparks territory and explores, though not without some charm, Adaline's romantic life.

Name : Andrew Lapin / Alias : NPR
Again and again, director Lee Toland Krieger (Celeste & Jesse Forever) allows shades of a more nuanced movie to pop up along the margins, only to steer instead toward innocent niceties.

Name : John Anderson / Alias : Wall Street Journal
Okay, it's hooey. "Adaline" is not a documentary. What it is, though, is seductive.

Name : Tom Russo / Alias : Boston Globe
Leave it to Harrison Ford to pull off a rescue that one of his signature heroes might envy. In a deftly crafted supporting role, Ford does as much as Lively herself to shape Adaline's strange predicament into something genuinely resonant.

Name : Stephanie Merry / Alias : Washington Post
"The Age of Adaline" works best as a simple story of boy meets girl; girl falls in love; girl mulls whether or not to reveal that she'll stay young forever. Everything else is just a lot of unnecessary noise.

Name : Leah Greenblatt / Alias : Entertainment Weekly
Adaline is consistently gorgeous to look at-and a good reminder that love, even when it's complicated or painful or doesn't last, is a whole lot better than immortality.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Starved of sufficient comedy or drama, "The Age of Adaline" is a pipsqueak.

Name : Rene Rodriguez / Alias : Miami Herald
The Age of Adaline is a modern romantic fairy tale set in San Francisco, marred by bad narration and an unnecessary desire to overexplain random magic.

Name : Linda Barnard / Alias : Toronto Star
Lovers of the genre will find plenty to love about the stylish Age of Adaline and may find themselves rooting through pockets for a tissue at points, a romance movie equivalent of a standing ovation.

Name : Katharine Pushkar / Alias : New York Daily News
Plausibility, shmausibility. This is pretty schmaltz done right.

Name : Nathalie Atkinson / Alias : Globe and Mail
Lively glides across the screen from scene to scene - like the ballroom of a grand old hotel with a suitor in hot pursuit - with all the emotional weight of a model in a perfume commercial.

Name : Rafer Guzman / Alias : Newsday
A preposterous premise treated with great solemnity. Lively shines, though, as does Ford.

Name : Adam Graham / Alias : Detroit News
For a movie about a 106-year-old - albeit one trapped in the body of a 29-year-old - "The Age of Adaline" doesn't have a lot of wisdom.

Name : Bill Goodykoontz / Alias : Arizona Republic
The makings of an interesting movie are here, but the script, written by J. Mills Goodloe and Salvador Paskowitz, collapses on itself in the third act.

Name : Jesse Hassenger / Alias : AV Club
For a movie that emulates literature, The Age Of Adaline never fits comfortably into a particular form-literary or cinematic.

Name : Jon Frosch / Alias : Hollywood Reporter
Lively is an odd screen presence - somehow both warm and cold, accessible and recessive. She's long been ripe for a breakthrough lead role that allows her to stretch and surprise.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Burstyn is as beautiful and emotionally present as always and Ford - after so many years of grumpily picking up paychecks - seems delighted to be acting again, and in a real movie.

Name : Moira MacDonald / Alias : Seattle Times
Ultimately, you believe Lively as an old soul in a young body, carrying a heavy secret; you hope, somehow, that love will bring her a happy ending.

Name : Manohla Dargis / Alias : New York Times
Far too often here, Adaline's parade of period dresses, coats and handbags stand in for the richness of human experience.

Name : Kyle Smith / Alias : New York Post
The film is as tender and endearing as a lamb, a lamb at rest in a fragrant atmosphere. It's a film that has a determined, unironic respect for things past.

Name : Justin Chang / Alias : Variety
Blake Lively's subtle, expressive performance sets the tone for this thoroughly ludicrous, thoroughly enjoyable romantic drama.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Someone should steal this concept and make a decent movie out of it.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
The Age of Adaline has a fundamental weakness: The tepid romance is supposed to structure everything else, so the film feels disjointed - a series of good, sometimes even great scenes in search of an organizing principle.