Into The Woods Peliculas Cristianas
Posted by Winda Sephtiani
Posted on 7:33 AM

"Into the Woods" is a modern twist on several of the beloved Brothers Grimm fairy tales, intertwining the plots of a few choice stories and exploring the consequences of the characters‘ wishes and quests. This humorous and heartfelt musical follows the classic tales of Cinderella (Anna Kendrick), Little Red Riding Hood (Lilla Crawford), Jack and the Beanstalk (Daniel Huttlestone), and Rapunzel (MacKenzie Mauzy)-all tied together by an original story involving a baker and his wife (James Corden & Emily Blunt), their wish to begin a family and their interaction with the witch (Meryl Streep) who has put a curse on them. (C) Disney.
About Into The Woods
Artist : Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris PineAs : The Witch, Baker
Title : Into The Woods Peliculas Cristianas
Release date : 2014-12-25
Movie Code : 0099851
Duration : 125
Category : Family
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Instead of being a rueful meditation on the inevitable disappointments of adulthood, the last act plays out as a generic dystopian bummer.

I left disenchanted and irritated by so many missed opportunities.

The life lessons are delivered with insight and heart, the rightfully beloved music is well handled and the cast is so enthusiastic that we can excuse some rough patches.

What is celebrated is the art of storytelling and the bedazzling attraction of a killer cast, uninhibited acting, giddy escapism, attractive visuals and an extroverted score.

Into the Woods left me out in the cold.

Rob Marshall - who previously shepherded a glossy if slightly diluted version of "Chicago" to the screen - does a decent job transferring the material.

With its ominous gnarled trees and enchanted look, Into the Woods is a place worth exploring.

Does it work as a movie? Thanks to a few cast members, the answer is - yes, and for the most part quite nicely.

The Stephen Sondheim-James Lapine 1987 musical Into the Woods has been transferred to the screen by director Rob Marshall with most of its complexities and light-dark tonalities intact.

Yes, the sets and costumes elicit swoons, but it's the peerless Sondheim score, however truncated, that makes this Woods a prime destination.

The sly send-up of fantasy tropes and healthy doses of humor help Into the Woods feel very much like the books and films it gently satirizes, even as it stands on its own as a solid entry into the musical-fantasy genre.

Director Rob Marshall simply cuts from one tale to the next, isolating his actors. There's little sense that the fairytale space is a shared one - it's just a bunch of noisy incident transpiring in unrelated treestands.

For years, composer and lyricist Stephen Sondheim's 1987 fairy tale mashup, written with librettist James Lapine, has hacked its way through the thicket of Hollywood development. And the movie now before us? Here's a relief: It's good.

"Into the Woods" is a paean to the primal magic of storytelling.

"Into the Woods'' thankfully retains most of its wit and bite, and showcases two of the year's very best female performances, from Streep and Blunt.

For anyone who can appreciate the darker side of fairy-tales told in a musical with depth and nuance, Into the Woods is a journey worth taking.

The stage musical delightfully reminded audiences that while happy endings are possible, you should always be careful about what you've wished for. Now comes the movie version, and it's a singing and dancing manifestation of both of those ideas.

It's hard not to get swept up in the grand production of it all.

A jolly mash-up of symbol-laden, signature once-upon-a-time tales about lust, envy, greed, and misguided pursuits of happiness.

If you go down to the woods today. you'll find A-listers dressed like 'Game of Thrones' extras belting out showtunes.

"Into the Woods" could have taken a well-worn path toward stagey sentiments, but those who worried that Hollywood might drain the enchantment from the Enchanted Forest can live happily after.

Even if this Into The Woods lacks the exhilaration of the best movie musicals, it does capture the show's emotional intimacy - no small task in a field that favors razzle dazzle.

Corden is a wonderfully funny, self-effacing bloke - I'm thrilled at the prospect of seeing him nightly, hosting his own show after Colbert. Maybe he'll have Emily Blunt as a guest. It's her movie.

Marshall's film captures enough of the emotions that course through this sneaky fairy tale about childish things like love, sex, grief, insecurity, abandonment, and forbearance.

With the exception of Meryl Streep (as the Witch) and James Corden (as the Baker), the cast is bland, and the bombastic orchestrations tend to steamroll the nuances of Sondheim's score.

This movie always seems to distance itself from that existential truth that was at the core of Sondheim's original.

As with Chicago, Marshall makes bold choices, but they pay off. His cast may glitter with film stars, but they work as an ensemble and keep their stories emotionally true against a terrifically rich orchestral accompaniment.

A mixed bag of clever twists on familiar storybook myths, engaging performances and forgettable songs.

What makes "Into the Woods" so entertaining is the cleverness of the tale itself and the way specific characters match the talents of its storytellers.

"Into the Woods," the splendid Disney screen adaptation of the Stephen Sondheim-James Lapine musical, infuses new vitality into the tired marketing concept of entertainment for "children of all ages."

With archness and irony, "Into the Woods" goes deeper into the fairy stories, allowing us to see familiar archetypes in new and not so flattering ways.

The movie is a watchable, tuneful contraption.

Some of the musical's superfans will feel shortchanged by the movie no matter what, but you have to give credit where it's due. The adaptation is pretty faithful to the original - for better and worse.

The cast is top-notch, the story is satisfyingly dark, the performances are fun and, of course, the songs are terrific.

The first two-thirds of the film, which are like the Brothers Grimm's Greatest Hits on laughing gas, have a fizzy, fairy-dust energy.

If so much as one tween viewer adds Sondheim to his or her iPod playlist alongside the likes of "Let it Go," all will have been worthwhile.

A capable cast and some very fine songs, but parents should take note of the dark themes. This Disney movie ain't kid stuff.

This twisty fairy-tale mash-up shows an appreciation for the virtues of old-fashioned storytelling, along with a welcome dash of subversive wit.

Rumbles on for too long and has some dry patches here and there-but just when we're growing fidgety, we get another rousing musical number or another dark plot twist, and we're back in business.
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