About Bad Santa 2

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About The Woman In Black 2 Angel Of Death

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1. Click link/button before this section (WATCH/DOWNLOAD button)

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Name : Tom Huddleston / Alias : Time Out
Predictable shock tactics, drippy wartime romance and scenes in which the characters leaf tremulously through Victorian photo albums and spout exposition.

Name : Alonso Duralde / Alias : TheWrap
Director Tom Harper and screenwriter Jon Croker offer up plenty of atmosphere, but every good idea this sequel has to offer winds up taking a backseat to the most obvious cat-in-the-closet "BOO!" moments imaginable.

Name : Justin Lowe / Alias : Hollywood Reporter
The material feels stale from nearly the first scene featuring the threatening old manse.

Name : Jordan Hoffman / Alias : New York Daily News
The 1940s setting gives the film's first half some unearned gravity, but by the end the jump-scares and rote plot frightens away the good will.

Name : Scott Foundas / Alias : Variety
A handsomely made but dramatically inert and not very scary sequel to 2012's surprise-hit ($127 million worldwide) Edwardian chiller.

Name : Sara Stewart / Alias : New York Post
The transparent title character from 2012's "The Woman in Black" is resurrected in this sequel, which abandons atmosphere for cheap scares.

Name : Kyle Anderson / Alias : Entertainment Weekly
The Woman may be back for another fright, but Angel of Death doesn't haunt like it should.

Name : Ben Kenigsberg / Alias : New York Times
The director, Tom Harper, seems less interested in allegory than in monotonous, conventional goosing, the kind that involves flickering lights and a creaky rocking chair.

Name : Claudia Puig / Alias : USA Today
It's mostly deadly dull, and when it does liven up a tad, the haunted house tale offers only wan shock tactics.

Name : Bruce Demara / Alias : Toronto Star
She's back, the Woman in Black, and it does give one pause to wonder if it's for no better reason than to scare up some more box office lucre.

Name : Simon Abrams / Alias : Village Voice
Flawed but genuinely creepy ghost story The Woman in Black 2: Angel of Death is disappointing, but only because it comes close to greatness.

Name : Gary Goldstein / Alias : Los Angeles Times
The Woman in Black 2: Angel of Death is an improvement on its predecessor. That said, the new installment is, at best, a serviceable creep show, one with far more chills than thrills.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
It's a dour, drab, dark movie, enlivened by some moderately effective chills in the first half but ultimately undone by its downbeat aimlessness.

Name : Jesse Hassenger / Alias : AV Club
Redundancy is about all it offers, despite an entirely new set of characters and a story set 40 years after the early 20th-century original.

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About The Conjuring 2: The Enfield Poltergeist

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Name : Kate Erbland / Alias : MSN Movies
. it surpasses the hallmarks of its genre with an actually dramatic storyline and all-around solid acting. Just don't think you can go see it alone.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
The damned thing works you so well that you may even consider leaving halfway through, for fear you'll have a heart attack.

Name : Joe Neumaier / Alias : New York Daily News
"The Conjuring" wants Dan and Lorraine to seem like Indiana Jones-style hunters of the supernatural, but in this basic jolt-provider, they're as fascinating as the Jersey Devil.

Name : Joe Morgenstern / Alias : Wall Street Journal
This saga of demonic possession deploys the full audio firepower of modern multiplexes, and does so with brain-battering frequency, like a ghostbusting version of a Japanese Taiko drum ensemble.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
This isn't just a good horror film. It's a good film, which just happens to fall in the horror genre.

Name : Bruce Diones / Alias : New Yorker
Wan . builds the many bumps in the night into a small Hitchcockian symphony of terror by way of long, eerie tracking shots, dramatic silences, and sudden scares that are frighteningly immersive.

Name : Phil Brown / Alias : Globe and Mail
The Conjuring uses every stock scare in the horror movie playbook for a dumb, yet charmingly traditional haunted house picture that manages to feel more retro than rehashed.

Name : Joshua Rothkopf / Alias : Time Out
It takes a retro-fashioned winner like The Conjuring to remind us that if the creaky, old house ain't broke, don't fix it.

Name : Justin Chang / Alias : Variety
A sensationally entertaining old-school freakout and one of the smartest, most viscerally effective thrillers in recent memory.

Name : Owen Gleiberman / Alias : Variety
Wan has a gift that most slam-bang horror directors today do not: a sense of the audience - of their rhythm and pulse, of how to manipulate a moment so that he's practically controlling your breathing.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
The horror movie is artfully crafted from the first scares to the closing credits, with a bold retro vibe.

Name : Michael Sragow / Alias : Orange County Register
[Wan] cuts The Conjuring into two halves - an exhilarating haunted-house thriller and a grueling post-Exorcist horror film - but they don't come back together in a living, breathing whole.

Name : James Berardinelli / Alias : ReelViews
If I was to use a single word to describe The Conjuring, it would be "intense."

Name : Rene Rodriguez / Alias : Miami Herald
An uncommonly intense and frightening experience.

Name : Tom Huddleston / Alias : Time Out
After 'Insidious' and 'The Conjuring', James Wan has his method down.

Name : Amy Nicholson / Alias : MTV
Wan can't resist throwing in everything from a demonic nun to an evil kinetoscope to a shape-shifting dog. But when building suspense, more means less.

Name : Richard Roeper / Alias : Chicago Sun-Times
It's just a shame the end of the movie wasn't lurking around the corner far sooner than when it finally turned up, by which time a considerable amount of my emotional investment in the film had been exhausted.

Name : Alan Scherstuhl / Alias : Village Voice
Damned if director James Wan, the auteur of Saw's rusted-edge cruelty, isn't an ace with enjoyable spookhouse trap-springing.

Name : William Goss / Alias : Film.com
All the contorting girls and pea-soup vomit in the world can hardly compete with a blood-stained sheet and a well-placed doll.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its forked tongue planted loosely in cheek, this haunted-house flick is enjoyably retro in both style and substance.

Name : Peter Travers / Alias : Rolling Stone
The sequel overstays its welcome at a punishing 133 minutes, but the power of director James Wan compels you to scream your bloody head off.

Name : Bill Goodykoontz / Alias : Arizona Republic
With big success comes big expectations, and "The Conjuring 2" is loaded with them. It doesn't live up to them, quite, but it's still scary and worth seeing.

Name : Richard Roeper / Alias : Richard Roeper.com
Treads familiar territory, but with style.

Name : Soren Anderson / Alias : Seattle Times
Hey! It's Great Moments in Haunted House Movies, collected in a double album set called "The Conjuring 2."

Name : Bill Goodykoontz / Alias : Arizona Republic
James Wan proves himself to be moving quickly up the ranks of terror auteurs. The timing, pacing and character movement are outstanding. And it's scary as hell.

Name : Cath Clarke / Alias : Time Out
Wan builds mounting dread with silence and suspense, lingering the camera unsettlingly long here, creaking a door there.

Name : Stephen Whitty / Alias : Newark Star-Ledger
[Wan's] entire film is possessed - by other films.

Name : Katie Rife / Alias : AV Club
When The Conjuring 2 focuses its efforts on scaring the audience, it succeeds, wildly. And why wouldn't it?

Name : Wesley Morris / Alias : Grantland
Every hand that reaches into a wardrobe, every nervous trip into that basement just gets on your nerves. Satan needs to get over himself.

Name : Peter Travers / Alias : Rolling Stone
It scared the living crap out of me. Only at the movies is that a compliment. So kudos to The Conjuring for putting fresh fire into the overworked haunted-house genre.

Name : Edward Douglas / Alias : New York Daily News
The ghost busters of The Conjuring 2 are scary good.

Name : Moira MacDonald / Alias : Seattle Times
James Wan's haunted-house saga is well-crafted, convincingly acted, surprisingly restrained and scary as hell.

Name : Andrew O'Hehir / Alias : Salon.com
Horror buffs will find [it] a highly satisfying, well-crafted film in a classical mode, with plenty of scares and very little gore.

Name : Brad Wheeler / Alias : Globe and Mail
A supernatural winner bound to make some noise at the box office and worthy of loud applause.

Name : Stephen Whitty / Alias : Newark Star-Ledger
"The Conjuring 2," it seems, is itself possessed - by the ghosts of other, better movies.

Name : Michael O'Sullivan / Alias : Washington Post
"The Conjuring 2" satisfies more than it disappoints.

Name : Manohla Dargis / Alias : New York Times
The dread gathers and surges while the blood scarcely trickles in "The Conjuring," a fantastically effective haunted-house movie.

Name : Neil Genzlinger / Alias : New York Times
"The Conjuring 2" does everything you want a sequel to do. It's as well made as the original, but the location and the story are different enough that it's not just the same thing all over again.

Name : Claudia Puig / Alias : USA Today
One of the scarier haunted house/demon possession movies in recent years, it brings to mind '70s supernatural horror films such as The Exorcist with its stillness, steady build of suspense and handsome cinematography.

Name : Sheri Linden / Alias : Hollywood Reporter
Taut and effective edge-of-the-seat horror, delivered with style and an especially haunting performance by Vera Farmiga.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Without recourse to the gruesome S&M excesses of his "Saw" franchise, Wan conjures the chill of a demon breathing down your neck.

Name : Michael Phillips / Alias : Chicago Tribune
An "Amityville Horror" for a new century (and a far better movie than that 1979 hit), yet firmly rooted, without being slavish or self-conscious, in the visual language of 1970s filmmaking.

Name : Lou Lumenick / Alias : New York Post
A mostly satisfying follow-up that brings back the excellent Patrick Wilson and Vera Farmiga as Ed and Lorraine Warren, the real-life paranormal experts most famous for investigating "The Amityville Horror'' house.

Name : Alonso Duralde / Alias : TheWrap
The Conjuring doesn't try to reinvent the tropes of horror movies, whether it's ghosts or demons or exorcisms, but Fred Astaire didn't invent tap-dancing, either.

Name : Peter Keough / Alias : Boston Globe
There are only so many times a slamming door will get an audience to jump.

Name : James Berardinelli / Alias : ReelViews
The Conjuring 2 proves that, with a sufficient investment of time and energy, sequels don't have to be unsatisfying cash-grabs.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Much longer, more elaborate, more dramatic, and more packed with chilling moments and hair-raising visuals than one could anticipate, even from Wan.

Name : Ty Burr / Alias : Boston Globe
A trim, effective haunted-house spook show, "The Conjuring" is both a throwback to early-'70s real estate shriekers like "The Amityville Horror" and a big-studio response to the "Paranormal Activity" found-footage genre.

Name : Charlie McCollum / Alias : San Jose Mercury News
Working with cinematographer John R. Leonetti and editor Kirk Morri, Wan carefully crafts each setpiece so that each visual punch has maximum impact to a nerve-shredding musical soundtrack from composer Joseph Bihara.

Name : Chris Nashawaty / Alias : Entertainment Weekly
There are some solid scares (Wan is too gifted in the dark art of gotcha manipulation to not make you leap a few times), but there's nothing on par with the first film's brilliant hide-and-clap scene with Lili Taylor.

Name : Brian Truitt / Alias : USA Today
A freakier follow-up featuring creepy kids, villains who'll keep you up at night and camerawork that puts moviegoers in a state of impending dread.

Name : Ben Sachs / Alias : Chicago Reader
It's generic and lazy as storytelling, but this time there's almost enough playful camerawork to distract from the feeble conception.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's a ramshackle ghost story that Stephen King would throw at his trash can.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Unexpectedly fresh, alive, and vibrant - and wonderfully traumatizing.

Name : Ian Buckwalter / Alias : The Atlantic
.there were moments where it seemed the entire theater was holding its breath. We were united in one feeling: terror.

Name : Michael Phillips / Alias : Chicago Tribune
Despite all the children in all that peril, Wan is a humane sort of sadist. His latest offers little that's new, but the movie's finesse is something even non-horror fans can appreciate.

Name : Jake Coyle / Alias : Associated Press
The horror sequel is a tough thing to pull off in general, and The Conjuring 2 is most certainly one of the better efforts. But, for better or worse, the first movie was just too good and The Conjuring 2 can't hold a candle to its predecessor.

Name : Alonso Duralde / Alias : TheWrap
Frightening rarely strikes twice in the same place, despite the efforts of so many horror sequels, but even if The Conjuring 2 doesn't deliver the delightful jolts of its predecessor, it maintains a consistent chill throughout.

Name : Bilge Ebiri / Alias : Village Voice
The streamlined elements of the first have now given way to mind-numbing clutter.

Name : Adam Graham / Alias : Detroit News
As "The Conjuring" progresses, the scares don't register beyond standard issue horror gotchas. They're as telegraphed as the musical cues alerting you something spooky is about to happen.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Wan masterfully tightens the vise on the audience's nerves, using mood and sound effects for shocks that never feel cheap (the harmless kids' game of hide-and-clap has never been so bloodcurdling).

Name : Rafer Guzman / Alias : Newsday
Another year, another mix of "The Amityville Horror" and "The Exorcist." Solid acting and an emotional back story set this one slightly apart.

Name : Rafer Guzman / Alias : Newsday
What saves the movie is a surprisingly fine cast and deft direction from James Wan, the horror veteran who gave us "Saw."

Name : Michael O'Sullivan / Alias : Washington Post
In The Conjuring, the scary casts out the spirit of the silly, permanently, and with a vengeance.

Name : Mark Daniell / Alias : Toronto Sun
You always get the sense that the Hodgsons are being targeted by something that is truly out of their control, and that's the biggest scare of all.

Name : A.A. Dowd / Alias : AV Club
As an exercise in classical scare tactics, delivered through an escalating series of primo setpieces, The Conjuring is often supremely effective.

Name : Justin Chang / Alias : Los Angeles Times
Another virtuosic exercise in mobile camerawork and moldering production design, tethered to a story that handles its characters and their working-class milieu with an unexpectedly grounded, sensitive touch.

Name : Lou Lumenick / Alias : New York Post
"The Conjuring'' depends more on its excellent cast and atmospheric direction than cheap gimmicks to raise hairs on the back of your neck. Which it does, quite frequently.

Name : Anthony Lane / Alias : New Yorker
[Wan's] framing of the scares is artfully managed, and it is the accomplished Wolfe, rather than any monster, who takes true possession of the tale.

Name : Peter Howell / Alias : Toronto Star
This is a horror film where a pair of suddenly clapping hands gives you the heebie-jeebies, and Wan doesn't cheat with his jump scares.

Name : Sheri Linden / Alias : Hollywood Reporter
Wan's expert deployment of genre jolts is no less in evidence this time around, but as he takes his time - perhaps even a bit too much of it - interweaving the Warrens' story with that of the Hodgsons. he crafts a deep dive into dread.

Name : Jake Coyle / Alias : Associated Press
The Conjuring is an unusually sturdy piece of haunted-house genre filmmaking.

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